Han poetry as a style of poetry resulted in significant poems which are still preserved today, and which have their origin associated with the Han dynasty era of China, 206 BC – 220 AD, including the Wang Mang interregnum (9–23 AD). Later Su was elevated in status, even it is said given a wife who bore him children. As the Chinese government opens its doors to the outside world, China, with its vast lands and the huge supply of labor, is fast becoming one of the world’s most favorite places for investors. The extension of the Han empire into new areas introduced new and exotic concepts and material objects, which sometimes became the topics of works in the fu prose-poetry literary form. The ruling dynastic family of the Han dynasty was the Liu family, founded by Liu Bang, whose career ranged from being a minor official (sort of like a local sheriff during the rapid disintegration and chaos of the final years of the Qin dynasty) to being an outlaw and a rebel hiding out in the hills, to being the King of Chu during the Division of Qin into 18 states, or kingdoms. The final years at the end of the Han era (known by the name Jian'an, 196–220) often receive special handling for purposes of literary analysis because, among other things, the poetry and culture of this period is less than typical of the Han period, and has important characteristics of its own, or it shares literary aspects with the subsequent Three Kingdoms period. Other Han poets include Sima Xiangru, Ban Gu, and Mi Heng. The company also tailors its stores to match the local atmosphere. The Han Music Bureau style which developed out of the models of the Music Bureau poetry was a particularly important feature of Jian'an poetry and the subsequent Six Dynasties poetry: the evolutionary trajectory of this poetry was towards the regular, fixed-length line verse which reached such acclaim in its Tang realization. Both Wushu and Kung Fu are all-encompassing terms that describe many different styles and weapons involved in Chinese martial arts. Ban Jieyu also known as Lady Pan (Pan Chieh-Yü) was a concubine to Emperor Cheng of Han (reigned 33–7 BC) and the great-aunt of the poet, historian, and author Ban Gu. Light blue is the Tarim Basin protectorate. This is at least part of the origin of the use of the image of a flying goose as a messenger, carrying tied to its foot (perhaps symbolically) a letter between two people separated so far seasonally north and south that a migrating goose could be conceived as a possible mode of communication. This page was last modified on 6 February 2016, at 13:08. The bamboo (or wood) slips were tied together carefully with delicate string cords. [12] The fu form continued to be popular in the centuries following the demise of the Han imperial power. The Han fu of the second and first centuries BCE were intimately associated with the courts of the emperor and his princes. When these rotted and broke, the individual slips would become mixed up, and the text which was written upon them thus have often become scrambled. Poetry preserved from the Han dynastic era not only exists as a monument to the achievement and skill of the poets of that time, but also serves as a link in a poetic legacy that was explicitly valued during the Tang dynastic era (during which the poems developed in the tradition of this style were known to critics as ("new yuefu"), and continued to be valued in subsequent Classical Chinese poetry, and on to the poetry of today; which is in turn, another link in a long chain of development in the field of poetry, to which the poets known and anonymous made their unique contributions. The Han era Music Bureau (yuefu) pieces were collected and transmitted to future times in such (mostly Six Dynasties era) anthologies as the Wen Xuan and the New Songs from the Jade Terrace. The traditional version of the Chu Ci contains 17 major sections, anthologized with its current contents by Wang Yi, a 2nd-century AD librarian who served under Emperor Shun of Han, who appended his own verses derivative of the Chuci or "sao" style at the end of the collection, under the title of Nine Longings. Han poetry as a style of poetry resulted in significant poems which are still preserved today, and which have their origin associated with the Han dynasty era of China, 206 BC – 220 AD, including the Wang Mang interregnum (9–23 AD). Picture of later calligraphy of a poem attributed to, File:Han Dynasty Map with greatwall protectorates and other areas.PNG, Sunflower Splendor: Three Thousand Years of Chinese Poetry, The Columbia Anthology of Modern Chinese Literature, Luxuriant Dew of the Spring and Autumn Annals, The Nine Chapters on the Mathematical Art, https://infogalactic.com/w/index.php?title=Han_poetry&oldid=703604555, Creative Commons Attribution-ShareAlike License, About Infogalactic: the planetary knowledge core.

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