All songs that appear on albums by The White Stripes. Depending on your age, it might be a little hard to believe that the White Stripes' breakthrough record De Stijl is a whopping two decades o... Bill Burr was a game and great host who had some good stuff to work with and Jack White's two performances were among the strongest in the s... Saturday Night Live has replaced this week's musical guest after the originally scheduled country music star, Morgan Wallen, was booted for... Jack White's octave effects are a big part of his signature sound, so it's only natural that he has made a guitar effects pedal of his own.... Kanye West has been raging at the music industry this week and fighting to get out of his major label record deals. The White Stripes Greatest Hits, the first-ever anthology from Jack and Meg White, highlights 26 of the Detroit duo’s iconic songs, from their start in … Jack melded his own quirks (wordiness, strategic silence) so seamlessly with smiley-Ringo-Starr double taps, Brill Building aah-aah-aahs, and early punk swagger that it transcends mere homage or pastiche. As the opening track for Get Behind Me Satan, "Blue Orchid" is more than a little perverse, as though the White Stripes are giving their audience the required rock single before getting back to that little room, locking the door behind them, and doing whatever the hell they want. That’s the secret of this band — one song can lead to hours charting out their pedigree, but you’ll still never quite figure out the gestalt of it all, how they became this singular, delightful mutt. Eartheater – Phoenix: Flames Are Dew Upon My Skin, The actual process doesn’t seem that far off. We have 9 albums and 120 song lyrics in our database. View The White Stripes song lyrics by popularity along with songs featured in, albums, videos and song meanings. Albums include Elephant, White Blood Cells, and Get Behind Me Satan. Even Jack White's work on the Cold Mountain soundtrack and Loretta Lynn's Van Lear Rose isn't adequate preparation for how far-flung this album is: Get Behind Me Satan is a weird, compelling collection that touches on several albums' worth of sounds, and its first four songs are so different from most of the White Stripes' previous music -- as well as from each other -- that, at first, they're downright disorienting. Never were Jack and Meg more on message as a blues duo than they were for these seven shit-kicking minutes of stupidly brilliant sexual fury. Soon they brought in decidedly non-blues instruments — an electric violin on De Stijl first, then synthesizers and bagpipes by 2007’s Icky Thump — while avoiding accusations of “trying to find their identity” or “transitioning” because of that handy label originally affixed to the box. Advance publicity for the album stated that it was written on piano, marimba, and acoustic guitar, suggesting that it was going to be a quiet retreat to the band's little room after the big … The White Stripes - Dead Leaves and the Dirty Ground (Live at Coachella 2003) “I’m not black, I’m not from the South and it’s not 1930,” White explained in 2002, retracting his earlier … Get Behind Me Satan may confuse and even push away some White Stripes fans, but the more the band pushes itself, the better. “Fell In Love With A Girl” (from White Blood Cells, 2001) One of my friends, while stoned, recently … We didn’t know about the color-coordination and sibling mythology yet. Plus, he pulled off that nifty pop trick of using an upbeat melody to hide decidedly less jubilant lyrics. The White Stripes’ 1999 self-titled debut album included St. James Infirmary Blues, and 2000 follow-up De Stijl had a raw, fuzzed-up Death Letter plus a spindly take on Blind Willie McTell’s Your Southern Can Is Mine.In the slipstream of 2003 single Seven Nation Army, both became million sellers. With “My Doorbell,” Jack managed to pen a song that was even jauntier and more brain-burrowing than “Hotel Yorba,” its endless loop chorus morphing into mantra by the fadeout. As the protagonist offers to “rescue” a troubled gal, those mischievous, plodding piano chords place a tinge of nefariousness in his overture, as though he’s deviously twirling his mustache. (Sigh, the suburbs.) The White Stripes were an American rock duo formed in Detroit, Michigan, in 1997.The group consisted of Jack White (songwriter, vocals, guitar, piano, and mandolin) and his one-time wife Meg White (drums and vocals). He went Jurassic Park here, extracting rock DNA and playing God with it, resulting in a song that may not have stomped with rock’s dinosaurs but reigns supreme over their myriad descendants. Though "the ideal of truth" sounds cut-and-dried, the album is filled with ambiguities; even its title, which shortens the biblical phrase "get thee behind me Satan," has a murky meaning -- is it support, or deliverance, from Lucifer that the Stripes are asking for? One of my friends, while stoned, recently convinced himself this song was a cover of some forgotten ’60s garage number. Underneath the misdirection and mythology, it was just two people, wearing three colors, obsessed with one musical concept: the beauty of simplicity. Turns out the truth does make a noise, the noise of thousands chanting in unison. A quiet festival season has left Jack White and his Third Man Records crew ample time to clean out the storage vaults and hidden closets at... By now, we're so deep into our socially isolated lives due to COVID-19 that we're starting to forget what going to concerts feel like. There are pleading rockers, like the alternately begging and accusatory "Red Rain," and defiant ballads, like "I'm Lonely (But I'm Not That Lonely Yet)," which has a stubborn undercurrent despite its archetypal, tear-in-my-beer country melody. That constant, subtle conflation of what’s genuine and what’s misdirection was the band’s most inimitable quality. When he briefly steps aside in “Hello Operator,” though, it makes complete sense. Album songs. But this opening squall of feedback and sludge obliterated those childish things. In my high school at the time, John Mayer and Jack Johnson were the “indie” acts to know about, DMB’s Lillywhite Sessions CD-R was spoken of in hushed tones, and Disturbed were an honest-to-God force.

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