[112], Some of the areas in the stable court are available for hire for charitable fund raising. [16], As the hall was considered to be unsympathetic to its setting, it was later decided to change its exterior. On each side of the gatehouse are two-storey arcades with gables above. The decor included wall coverings in silk and woodblock floors. In the courtyard is a statue of a horse by Joseph Boehm,[21] which is listed at Grade II. [88] Also on this approach is Coachmore Hill Lodge which was designed in the 1880s by Douglas; it is listed at Grade II. The Carriage Museum holds the Westminster Collection of Carriages. At each end of the Broad Walk is a building designed by Waterhouse for the 3rd Marquess. These were designed in the 1870s for the 1st Duke. From this pool a path, known as the Broad Walk, stretches to the north and the south. A central two-storey hall gave access to the principal rooms, with the main reception rooms being on the first floor. [78] The retaining walls of the pond are listed at Grade II. [63] To the east and west of the loggia are reconstructed Roman columns, each of which is listed at Grade II. [67] In the centre of the garden is a statue of Mercury and in front of the Tea House are two stone Talbots. The house followed an asymmetrical plan, with two storeys plus a basement containing a swimming pool. [27] Near to the cottages is the former engine shed of the Eaton Hall Railway. [86], The Aldford Approach leads from the village of Aldford[82] and crosses the River Dee by the Grade I listed Aldford Iron Bridge, which was built in 1824 by William Hazledine for the 1st Marquis. Eaton Hall from the east showing the hall and the chapel in August 2002, ✪ A short video/slide show of Eaton Hall and Gardens 2013. [45] During the Second World War, part of the parkland was requisitioned as an airfield, and in 1940 some of the garden buildings were damaged by a cluster of incendiary devices. [36], In the 17th century, formal gardens were created around the Samwell Hall; these included such features as parterres and canals. [18], Adjacent to the hall are the remaining structures designed by Waterhouse. A sur­vey un­der­taken in 1798 showed that the build­ing was still present. [46] After the war, improvement of the gardens did not resume until the 1960s, when the wives of the 4th and 5th Dukes worked with the designer James Russell. [110] The Stables include items relating to the family's horses. The hangings for the state bed included 97 yards (89 m) of purple damask and 103 yards (94 m) of sarsenet (fine silk) trimmed with gold lace. [37] However they were costly to maintain, and in the later part of the 18th century fashions changed to favour a more informal type of garden layout. The estate covers about 10,872 acres (4,400 ha). 14. The line ran from the hall to a depot at Balderton on the Chester-Wrexham line,[30] and a spur went to Cuckoo's Nest, where there was a repair yard. The new owner commissioned the architect William Samwell to design the house. The "Ante-Drawing room" of Eaton Hall (Cheshire) at the turn of the century, with Henry Stacy Marks' twelve painted bird panels. Building started in 1870 and concluded about 12 years later. The entrance front had nine bays and a portico. [48], To the east of the house a series of terraces leads down to the Fish Pond. The one to the north depicts a stag at bay,[56] and that to the south a hunter on a rearing horse. The interior of the house was as lavish as the exterior, with more Gothic detailing. [12] Pevsner wrote that it "was an outstanding expression of High Victorian originality", and added "this Wagnerian palace was the most ambitious instance of Gothic Revival domestic architecture anywhere in the country".

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