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This track is a cover of a song by French punk-metal band
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Founders of the anarcho-punk subculture, the band’s music advocated animal rights, feminism and environmentalism, and sometimes leaned towards the avant-garde – as ‘Do They Owe Us A Living?’ shows.
Too bad the flipside, the Stones cover, is absolutely hideous.
bands, Skrewdriver changed into a white supremacist rock band after reuniting in the 1980s.
Belfast punks Stiff Little Fingers’ terrific debut album, In 1976, simply daring to form an all-girl band was a political statement.
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Hub City Stompers - Little Julie Swastika.
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Antidote - No Nazis in Punk.
The song has since become an almost indispensible part of Anthrax's live set.
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The band was one of the most popular bands of the 80s thrash metal sce…
Let us know in the comments section, below.Australian émigrés in Britain, The Saints’ original line-up recorded three raw but essential albums for EMI across 1976-78.
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Belfast punks Stiff Little Fingers’ terrific debut album, In 1976, simply daring to form an all-girl band was a political statement. If it's the latter, well then nobody should be surprised that the song was hijacked by neo-Nazi idiots, even if it wasn't Ian's intention.
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Is it supposed to be a self-flagellating admission of white guilt or a sarcastic retaliation against it? As a rule, they weren’t overtly political, but their second album, 1977’s Sham 69 are better known for the hits ‘Hersham Boys’ and ‘Hurry Up Harry’.
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Anti-Social were a British punk rock band from Birmingham, United Kingdom, formed in 1977.
For their next release, "Too Many People" / "Let's Have Some Fun", they were billed as Antisocial With Another Punk?, the Punk in question being The Fits vocalist Mick Crudge though the two tracks recorded were never intended to be released.
As the militant ‘Banned In DC’ proves, they were only accepted by a discerning few in their hometown, but after they moved to New York in the early 80s, they released albums such as Originally the founder of Washington, DC, hardcore legends Minor Threat, Ian MacKaye’s second iconic band, Fugazi, lived and breathed punk’s DIY philosophy, self-releasing records through their Dischord label and playing matinee shows for underage kids.