And I don’t like to repeat,″ she said in a 1988 interview with The Associated Press. Although born in Massachusetts, it was her family's move to New York City in the early 1940s that became the stepping stone for her acting career. She was born in Quincy, Massachusetts. Liver Cancer. I don't quite know what stardom means. Remick played Margaret Sullavan in Haywire (1980). Lee Ann Remick (December 14, 1935 – July 2, 1991) was an American actress. I can't be something I'm not." Lee Remick, the elegant actress who illumined dozens of films and many stage and television plays, died yesterday at her home in Los Angeles. Back in the US she was in Paul Newman's Sometimes a Great Notion (1971). Death Date. Her survivors include her husband of 21 years, Kip Gowans, a producer; a daughter, Kate Colleran Sullivan; a son, Matthew Remick Colleran; two stepdaughters, Justine Gowans Solly and Nicola Gowans, and her mother, Pat Packard. Lee Remick was born in Quincy, Massachusetts, the daughter of Gertrude Margaret (two sources say Patricia[1][2]) (née Waldo), an actress, and Francis Edwin "Frank" Remick, who owned a department store. lee remick wild river lee remick cause of death. I suppose it means power basically -- and I'm not good at that. I think I've held on to certain qualities within myself which have been strong.". Her other well known films include Days of Wine and Roses and The Omen. Remick died of kidney cancer on July 2, 1991, at the age of 55, at her Brentwood home in Los Angeles.[17]. Once you’ve done something well, they think, ‘Ah, that’s what she does,’ and they keep sending you the same script over and over again.″. Miss Remick’s cancer was diagnosed in the spring of 1989. Her film debut came at age 22 in 1957′s ″A Face in the Crowd,″ directed by Elia Kazan and co-starred Andy Griffith, also making his film debut. View agent, publicist, legal and company contact details on IMDbPro, A Little Night Music 1991 opening night premiere. I love to work; I always have, and I love trying to do the best. She co-starred with Gregory Peck in the 1976 horror film The Omen, in which her character's adopted son, Damien, is revealed to be the Antichrist. Official Sites. This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. This is a strange business. Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. Lee Remick is a American Actress, who was born on 14 December, 1935 in Quincy, Massachusetts, USA. Remick made her film debut in 1957 in A Face in the Crowd. Lee Remick, the elegant actress who illumined dozens of films and many stage and television plays, died yesterday at her home in Los Angeles. (The Hollywood Walk of Fame site lists it at 1615 Vine Street.) The 1930s were called the Great Depression (1929-1939). Remick attended the Swaboda School of Dance, the Hewitt School,[2] and studied acting at Barnard College and the Actors Studio. Remick's final performances include The Vision (1987) with Dirk Bogarde, Jesse (1988), Bridge to Silence (1989) and playing Sarah Bernhardt in Around the World in 80 Days (1989). Remick came to prominence as a rape victim whose husband is tried for killing her attacker in Otto Preminger's Anatomy of a Murder (1959). She was born in Quincy, Massachusetts. She emerged as a real star in the role of an apparent rape victim in Anatomy of a Murder (1959). This led to a part in a short-lived Broadway comedy, "Be Your Age," in 1953, several more summer-theater appearances and a string of television roles on "Philco Playhouse," "Hallmark Hall of Fame," "Playhouse 90" and other programs in the mid-1950's. She was cremated at Westwood Memorial Park and services held at a later date. Miss Remick died of cancer at 5:15 a.m. at her Brentwood home, with family members at her side, said publicist Dick Winters. In the last stages of her kidney cancer, her face was extremely bloated by the chemo treatments she was receiving. Co-star Dean Martin refused to continue, however, saying that while he admired Remick, he had signed onto the picture strictly to be able to work with Monroe. Writing in The New York Times of her performance in the 1980 television movie "The Women's Room," John J. O'Connor said, "Lee Remick proves once again she is an uncommonly gifted actress whose somewhat fragile, almost stereotyped good looks tend to distract one from that fact.

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